I few days back I posted a soundscape to soundcloud called “Which One is Mine”.
Absynth 5 has a feature called Audio Mod which lets you take audio input from a DAW and use it as control voltage of sorts. Sort of like the digital equivalent of what was shown in yesterday’s post from Marc (DJ Not So Much) “Using Ableton to Provide Control Voltage for a Moog Slim Phatty”.
I used Absynth and Ableton Live to create this sound scape which made up of synthesis, and real-time processing of audio from field recordings. The first recording is a Morse code key I recorded at a train museum in Cape Cod. The second is a recording I made of crowd noise at a University of Colorado basketball game.
I wanted to mention that Absynth 1 was the first virtual synth I bought back in the day. I’ve kept up with it all these years and upgraded to 5 right away when it came out (see this vid showing off some Absynth 5 features). It’s still one of my most used synths so I’m happy to see that it’s winning in the readers poll.
Note: You can get Absynth on sale for $99 for one more day till Nov 29th as part of Native Instruments holiday sale.
I created a custom patch in Absynth 5. I'm sending MIDI notes from an Ableton Live clip to Absynth. This causes Oscillator A to play a fractalized waveform that is morphed by a stepping envelope.
Oscillator B is set to "Audio In" and I'm routing field recording samples playing in Live audio clips to this Oscillator.
Oscillator C is a single hybrid waveform. This oscillator's Amp, Pitch and Morph params are modulated live audio signals routing through Oscillator B using "Audio Mod". The first audio clip is the field recording of the Morse code key. The second clip is the crowd sound. The pulsing nature of the sound during the crowd section is a result of AMP envelope on Oscillator B.