There are many ways to achieve Frequency Modulation (FM) in ACE. The "Cross" knob adds "cross modulation" which is equivalent to analog FM. This knob can be a bit confusing because if you turn up the knob after initializing a patch you'll hear no effect. This is because the knob controls how much VCO1 modulates VCO2 and when you initialize a preset the "VCO Mix" knob is set so you only hear Oscillator 1. So always remember to to turn op the "VCO Mix" knob so you can hear the effects of the "Cross" knob setting.
Example – Using “adsr 2” Envelope to Modulate “Cross”
Of course things get much more interesting when you modulate "Cross". In this example let’s use modulate "Cross" with the "adsr 2" envelope.
Turn "vco mix" so it at 12 o'clock so you'll hear a mix of VCO1 and VCO2
Tweak "adsr 2" to give it a log attack and release. Add more time to the release stage of "adsr 1" which will allow you to hear the FM modulation change after key release.
Patch output of "adsr 2" to the "Cross" input. Turn up the gain of "Cross".
The patch will be a little hot volume wise so use "volume" knob to cut the overall volume of the patch
Experiment with tweaking #3 "cross", #1 "vco mix" to adjust to your taste. Also try turning "vco mix" all the way up so you only hear "vco2" then change the pitch of "vco1" to hear how adjusting "vco 1"'s frequency changes the harmonics.
In this show Thomas will be playing and narrating the soundtrack to his self-made film debut The Invisible Lighthouse, with special guest Blake Leyh on live Foley sound effects. Here is a video trailer that will give you a feel for the show - http://youtu.be/BFxbkZqznB0.
See You At the Show
I’ll be at at the Thursday show so perhaps I’ll see you there.
Besides having the honor of bringing the 9 Box to the Mountain Oasis 2013 Festival this year, the biggest highlight for me was getting to see Geary Yelton’s interview with Gary Numan for Electronic Musician. Geary was my host during the festival so that made the interview even that much cooler :^)
The interview took place in the 500 seat Diana Wortham Theater which was totally packed. Geary had great questions and Gary was super open, funny, and direct with his answer which was really interesting and refreshing. It’s a must see video if you’re an electronic musician IMHO as Gary offers some really great insight on the industry and being an artist in general.
My favorite part of the interview was Numan's take on hardware vs software vs analog vs digital (question starts at 43:19) "It's all about making noises. Who gives a shit about whether its analog, digital, software... if the noise at the end of it is a cool noise, that's the only thing that matters."
Wow, the Mountain Oasis 2013 festival was simply epic! As I mentioned in a recent post, I was that there at the invitation of the Bob Moog Foundation. I brought my "9 Box" installation / instrument to be part of Dr. Bob's Interactive Sonic Experience. In this post I’ll offer some photos and videos from my time at the fest.
9 Box as Part of Dr. Bob's Interactive Sonic Experience
For those not familiar with the 9 Box, it’s part collaborative instrument, part interactive installation -- the 9 Box allows up to six casual players to instantly make music and shape sound by manipulating blocks called AudioCubes.
AudioCubes, made by California based Percussa (http://www.percussa.us), are smart wireless cubes capable of sensing each other's location and orientation as well as distance to your hands, fingers and other objects. They also emit feedback in the form of light as you interact with them. Ultimately this hands-on approach allows players to manipulate sets of sounds in 3x3 grids -- hence the name 9 Box. The 9 Box supports also supports user creatable "refills" allowing for unique and endless sonic possibilities.
So I devised the method, player’s guides and stickers, Percussa MIDI Bridge template, and Ableton Live templates and refill system.
SicImages was there and took this photo and made the comment
"These blocks were really something crazy. Infrared sensors and wireless proximity based effects manipulation into ableton....whatttt!”
The 9 Box ran for 18 hours over 3 days and was played by 100s of festival goers of all ages and went over really well. This embedded video offers a taste of what it was like to be at the 9 Box section of the booth area. It was so rewarding see people's reactions to the 9 Box and to hear their creations throughout the weekend.
Flickr Photo Set of Overall Festival Experience
Of course besides the booth time which ran from noon to seven each day I also was able to experience performances. Highlights for me were Gary Numan, Nine Inch Nails, Tara Busch, and Alan Howarth (co-composer of the soundtracks to all those great John Carpenter horror movies, and sound designer for films like the Star Trek franchise.
Mountain Oasis exceed my expectations in every way. There probably around 7,000 people there which was a large enough number of attendees to make Asheville feel vibrant but not overrun. I felt the festival was well organized and there was a nice mix of artists. The Arena was perfect for bigger acts like NIN and Gary Numan. The 500 seat Diana Wortham was great for more intimate performances by Tara Busch and Alan Howarth. The Orange Peel housed more beat driven shows like Laurel Halo. Moving between venues was in itself interesting as people were in costumes and there were lots of talented street musicians playing.
3 days was the perfect length as by the end I was worn out – but in a good way. After experiencing Mountain Oasis it’s clear that AC Entertainment has hit their stride with this event and Moog Inc’s lack of participation and the name change didn’t phase them. I’d definitely go back.
Mountain Oasis Festival was just an incredible experience all the way around. One of the coolest music-related trips ever!!! HUGE thanks to: