Posts categorized "Blofeld" Feed

Electric Body Machinery Soundset for Waldorf Blofeld Synthesizer by Ari Ahrendt

ahrend_ebm

Waldorf has just released Electric Body Machinery  - a new Blofeld soundset by Soundset Ari Ahrendt.

This punchy soundset that covers everything for electronic music of the darker kind. Highly energetic sounds for areas such as EBM, Synth Pop, Dark Electro, Future Pop, Electro Wave and Minimal Electro Pop. All sounds on highest level of musical playability, usability and inspiration. Suitable for records, studio and especially for clubs and live performance! 128 Sounds for technically wide EBM basses, melodically sawing chaos leads, boombastic drums, shiny pads and strings, as well as inspring polysynth sounds enable you to make the dance-mob shake and stomp .

Use modulation wheel at own risk!

 

Here is a demosong called “Dark Lights”. According to the soundcloud notes, all sounds are created with Waldorf Blofeld including all drums, effects, spheres and modulations.

Dark Lights - Waldorf Blofeld EBM Demo by ARIMUSIK

Sounds pretty damn awesome! The soundset is available via Waldorf’s online store for 30.00 €. Click here to learn more and buy.

I’ve also added this soundset to my Blofeld 411 Mindmap.

image

Links

----------

Mark Mosher
Electronic Music Artist, Boulder, CO
www.ModulateThis.com
Official Web Site: www.MarkMosherMusic.com
Listen/Download Albums: www.MarkMosherMusic.com/music.html


SampleRobot 4 Multi-X and Single-X Released with Support for Waldorf Blofeld

SR_4_Single_X_Blofeld

I just saw this announcement over on http://www.waldorfmusic.de/.

 

SampleRobot 4 is the name of Blofeld's new accomplice. Creating multisamples for Blofeld has never been easier with the help of SampleRobot, as it automatically samples existing instruments. It saves all samples as WAV and assignment information in XML format, ready to be transferred into Blofeld using Spectre. SampleRobot 4 is available from SkyLife, a special Single-X version for Blofeld starts at only 39,00 Euro, the luxury version is available here. This is not only the perfect companion for Blofeld but also for Lector, which can load multisamples in XML format too.  Requires Blofeld Keyboard, Blofeld with License SL installed or Lector. More information here.

Here is some detail SampleRobot’s page on the Single-X version.

 

SampleRobot 4 Single-X contains the application and more than 800 MB of premium samples in Soundfont 2 file format.

SampleRobot 4 Single-X is a completely new and for all musicians and producers affordable version of the well-known sampling software. Single-X stands for single export.

This download of SampleRobot Single-X support the following export format:

Waldorf Blofeld (*.xml)

With SampleRobot 4 Single-X you can easily do automatic sampling of acoustic and electronic instruments. Remote control your MIDI gear and sample all sound nuances fully automatically.

The graphical interface is very easy to use. You can achieve excellent results with just a few mouse clicks.

SampleRobot 4 Single-X works with Windows XP / Vista / 7 and also under Bootcamp and Parallels Desktop for Mac on Intel Macintosh Computers

Mark Mosher
Electronic/Experimental Music Artist, Boulder, CO
Synthesist | Composer | Keyboardist | Performer

Synth Geek Blog: http://modulatethis.com/
Artist Site: www.MarkMosherMusic.com


Waldorf Largo vs Blofeld

image

I own both the Waldorf Blofeld keyboard edition plus the virtual instrument Largo so I thought I’d offer some notes on what is the same and what is different.

98% The Same

First let me say that Largo is indeed a Blofeld expressed as a virtual instrument. I’d say that the patch architecture about 98% similar. If you programmed a patch on either using parameters common to both without effects the resultant output would almost identical with just slight variance in timbre you'd expect from hardware vs software implementations. The parameter differences are not simply that one has more features than another -each has exclusive features, and some cases – such as effects – the features are similar but implemented differently.

I’ve created a mindmap to illustrate only the differences. Green highlights on a branch indicate which synth is better in a particular area.

View embedded map full-size

Which is Right For You?

This depends on your priorities. If your primary goal is programming patches from scratch and you don’t care about samples being used as oscillator sources, Largo has a bigger sonic range in my opinion. If you want to use samples, you have to go with the Keyboard or Desktop Edition with License SL. The effects processor section is definitely stronger in Largo, especially the chorus. The color coding in the mindmap should help you make your choice.

Why Do I have Both?

I got the Blofeld first and fell in love with Waldorf waveforms, oscillators, filters, and architecture. I actually got the desktop, then sold it to get the keyboard edition for studio and jam use. However, my current performance rig is laptop-based and fits in two carry-ons (including my controllers) and I didn’t have room haul even the desktop Blofeld. So by adding Largo I have that Waldorf sound and architecture on my laptop and can use it in live performances out of town. Largo’s effects – especially the chorus are also quite fantastic. As a matter of fact, I have a new song on the upcoming album that was built almost exclusively around one patch where I do crazy things with the chorus using automation from dummy clips in Ableton Live.

Using Blofeld as a Dedicated Hardware Interface for Largo

The company Touch Digital Controllers is getting some buzz around their dedicated ImpOSCar2 hardware controller. What you might not know is that you can do something similar on the Waldorf side by using Blofeld as a dedicated control surface for Largo. This is possible because Waldorf designed both Largo and Blofeld such that each parameter has a corresponding MIDI CCs (which is how third party editors communication with Blofeld). That being said, I don’t think this is currently an intended use as it’s not document, a bit fiddly, and as you can see from the mindmap there are architectural differences. Also, some parameters like waveshape number are 0-based on Blofeld and 1-based on Largo (Blofled uses waveshape 0 as oscillator off where Largo has a dedicated parameter for this). So while it works it’s a bit sketchy.

Wish List

I wish that Waldorf will go a step further with both synths to bring them to parity and line up synth parameters such that we all could could:

  1. Use Largo as a VST/AU editor for Blofeld
  2. Use Blofeld as a control surface for Largo
  3. Add sample support to Largo
  4. Share patches between both.

Links

Mark Mosher
Electronic Music Artist, Boulder, CO
Synthesist | Composer | Keyboardist | Performer

http://modulatethis.com/
Official Web Site: www.MarkMosherMusic.com
Listen/Download Albums: www.MarkMosherMusic.com/music.html


How to Make Your Waldorf Blofeld Synthesizer Go to 11!

As you walk through the factory patches, you might notice some patches are louder than others. Or perhaps you programmed your own patch and can’t quite get it to be loud enough to be in balance with other patches in your set. Here are a few quick tips to take a quieter patch and make it go to 11.

Make Sure the Amp Volume is set to 127
image

Hit the “Shift” button and navigate to the “Amplifier Page”. Verify that overall “Volume” is set to 127. Note the “Velocity” parameter is a global patch parameter that determines how much velocity effects volume. If you play with a light touch, you might want to take this parameter down some. If it is set to 0 velocity does not effect the volume.

Crank Up Your Oscillator Volumes
image

Make sure the oscillators that are active are high enough for your needs. Click the Oscillator button in the matrix to turn select the first menu for Oscillators, and crank the 4th knob over. Repeat for other oscillators.

This Parameter Goes to 11!
SNAGHTML5142362[4]

Now for the secret sauce. Let’s say you have a patch and all the levels are perfect and in balance, yet it’s still too quite relative to other patches in your set. You can get a volume boost quickly with on parameter set, Filter Drive.

The “Tube” drive curve with values down in the teens can add a volume boost without distortion. To make the patch rip the audience's face off, set the value to 127! Experiment with other drive curves.

More Blofeld Please
I hope you found these tips helpful. You can view other posts on the Blofeld category of Modulate This here.

I’m slowly working on some patches that I plan to make available as a library down the road. If you’d like to be notified opt-in to the Modulate This! mailing list and check the box for “Patches for Waldorf Blofeld”

image

Mark Mosher
Electronic Music Artist, Boulder, CO
Synthesist | Composer | Keyboardist | Performer
www.MarkMosherMusic.com
www.Modulatethis.com


Waldorf Blofeld Desktop & Keyboard Special Edition in Black

 image

Waldorf is releasing my favorite hardware synthesizer in black as a limited edition. As always, I love their tongue-in-cheek marketing on this.

Deep in the subterranean Waldorf Laboratories, our scientists have finally discovered the finish that delivers the best sound. We almost had forgot about them when the resurfaced and proudly presented the result of their almost endless struggle to find the ideal material: Neither Mauve nor Lavender nor Ochre result in optimal sound, but a special electron absorbing coating in deep black.

The explanation is simple: as more absorbed electrons reach the inner digital and analog workings of Blofeld and casue each bit to be stronger pronounced, resulting in a very defined and detailled sound. This makes our new Black Blofeld sound even better than before. The new black Blofeld is produced 100% in German Schwarzarbeit and is available only on the black market.

According to a Matrix Synth post on this, this is a limited edition run of 250 units.

More here http://www.waldorfmusic.de/.

Mark Mosher
Electronic Music Artist, Boulder, CO
www.ModulateThis.com

patchlab.modulatethis.com
www.MarkMosherMusic.com


Waldorf Synthesizer Web Site Refresh

image

I noticed a few days back that Waldorf Music re-designed their website. It’s simple, clean and easy to navigate.

They pulled the phonetic bad German accent marketing copy from the Blofeld desktop page :^(. If you wait long enough, there is still a Blofeld villain picture on the page :^). Also note they’ve added a new music player with samples.

image

Mark Mosher
www.MarkMosherMusic.com
www.Modulatethis.com


Waldorf Blofeld vs Dave Smith Tetra Synthesizers

blofeld_vs_tetra  
Modulate This reader Deman recently commented on a post from February entitle "Blofeld LFOs Gone Mad" - One Patch Performance Series. Deman wanted to know which I preferred, the Blofeld or the Tetra.

Well Deman,  while I’ve only played the Blofeld, I did consider the Tetra so I did some research on both before going with Blofeld. I’ve put together a table highlighting the major differences below.

Update 3/3/2013: Updated pricess since original Post

  Blofeld Tetra
Price $699 $499 $799 $849
Sound Generation Circuit-models of analog waveforms: Pulse with variable pulse-width, sawtooth, triangle, sine wave, wavetables that were introduced by the Waldorf Q and appeared shortly thereafter in the Micro Q series. 100% analog signal path. 2 - analog sawtooth, triangle, saw/triangle, square with variable pulse width.
Synthesis Types Subtractive/FM/Wavetable Subtractive
Multi-Mode 16 Splits/Layers with 2 outs Four-part multitimbral capability with four separate outputs.
Polyphony 25 4
Display 128x64 LCD 2 line LED
Non-Volatile Sample Playback Memory

64 Meg of Non-Volatile Ram wih SL Option
99.00 €

No
FX 2 Independent FX Processors None
USB Yes, Third-Party Editors Yes, Manufacturer supplied editor

Arpeggiator

Both synths have strong arpeggiator/step-sequencer capabilities. Here is a summary as described by the manufacturers:

Blofeld Arpeggiator (From the Blofeld Web Site)

Okay, Blofeld's arpeggiator could very well become the biggest chapter of this page but let's try to keep it short...

It features variable clock divisions from 1/64 triplets to more than 1000 bars, with variable swing/shuffle, a range of up to 10 octaves. Up, down and alternate figures, selectable play order from low to high note, low to high velocity, as played or reversed, variable note length, different velocity modes. And Hold or One-Shot, if you like.

But more importantly, it has the most powerful Pattern Editor we have ever seen.

You can set each Step to either play the note it would do so anyway, to pause, to play the previous note again, play the first or the last note, play those together, play a chord consisting of all held notes or a randomly selected note.

Then you can adjust the Accent of each step (including silence), activate or deactivate Glide for each step, set the timing to play a step ahead or behind its nominal time, and finely adjust the note length between short staccato and full legato.

No wonder this arpeggiator had great reviews when it first appeared in the Waldorf Q. It will take you straight to arpeggiator-heaven, as has already happened to thousands of Waldorf customers. Dig it!

Tetrai Arpeggiator (From the Tetra Manual P. 35)

Tetra features a 4 x 16 “analog-style” step sequencer that can generate four separate sequence tracks of up to 16 steps each. Each of the 4 voices has its own sequencer. Individual sequencer tracks can be routed to any standard modulation destination (see the table on page 35). Using VCA Envelope as a destination, for example, varies the volume of each step; a destination of Filter or Filter Envelope Amount will produce different filter settings per step. Typically, however, at least one sequence is routed to an oscillator to control pitch.

The sequencer is a “gated” sequencer. That is, a note must be played, either from the PUSH IT switch or via MIDI, in order for the sequence to be heard and it will continue to play as long as the note is held (gated).

Note: The PUSH IT switch’s Toggle parameter enables notes (and,
therefore, sequences) to be latched on for sustained playback.

The Clock Parameters determine the note value/tempo of the sequencer. The actual gate duration for each step is fixed at half the step time. Use the envelopes to generate notes of longer or shorter duration.

One very useful way to modulate a parameter in sync with a sequence is using LFOs with sync; LFO frequency runs from 0 to 150, after which you can select the sync settings. A setting of 16 Steps for LFO Frequency with a Triangle wave selected and routed to the filter will provide a clean filter sweep over a 16 step
sequence, perfectly in sync! This is much easier (and smoother) than programming a filter sweep using sequence steps.
28.

Conclusion
In a nutshell, Tetra is a strong choice for those looking for a pure-analog solution in a very small desktop form factor. Blofeld is the choice for those looking for a more versatile solution in the sound design department with a more workstation-like set of features (16 splits/layers, built-in FX, option for non-volatle sample memory…). The large LCD display makes the and MIDI matrix make the Blofeld experience similar to using a soft synth on a computer.

I am in the latter category and was also looking for more bang-for-the-buck so I chose the Blofeld. I also felt the virtual analog was quite good. If I had extra budget for an analog desktop unit would I buy a Tetra? You betcha.

Links

Blofled Tetra

 


Mark Mosher
Electronic Musician, Boulder CO

Checkout my updated and fresh artist site:  www.markmoshermusic.com
Join my list and get fan exclusives:
www.reverbnation.com/markmosher?add_email=true
Get your synth geek on:
www.ModulateThis.com